PHASE #8. how to write a story

How To Look Dramatic 101

Before we get to actually penning our very own scripts, Andrew wanted to demonstrate two different methods to go about doing it.

First, we got to write disjointed pieces of dialogue on a huge piece of mahjong paper with minimal context and comprehension of the line before that. We then tore the paper into shreds and had to wordlessly form a coherent (as possible) story with our group mates. Hilarity ensued.

Next, we had to work backwards – to spontaneously get into positions, before shifting into the next one and the next, and to replay those positions until we could form a story.

While working through and experimenting with the various methods, Andrew’s nugget of wisdom came through. Both methods hinge on the magic ‘if’, and ‘if’ is absolutely the best word to ask ourselves at any and every stage of the creative process. It helps us access the imaginative part of our brains so we can effectively lie – I mean, come up with a credible story.

And these methods work because there is always pressure on any actor in any performance to behave in a certain way. Whether as a reaction or simply as in-character behavior, an actor is never static or allowed to be so, contributing to the dynamic shifts in the storytelling.

As a person who isn’t very creative, I definitely preferred the first method.

On a side note, I can’t wait to finally begin working on our performance pieces! After eight full weeks of preparation, I think I’m almost ready. My only regret is that we didn’t get to spend more time with Sa’at’s brilliant piece. I would’ve loved to perform that with our class!